Showing posts with label midwest. Show all posts
Showing posts with label midwest. Show all posts

Wednesday, September 23, 2015

More midwest

Hi lads! Recently you have been told about a blog where me and mates are posting both obscured (but quite impressing!) and not so bands. You have been advised to download stuff via variety of browser plugins though you must feel a bit uncomfortable.

Well, henceforth you are able to download all the albums from the MEGA's folder. And VK blog will be there if you want to preview album before download.

Saturday, March 31, 2012

Various Artist – The First Crush Compilation (1997)


The First Crush Compilation spawned a stellar hybrid of some of the greatest punk/emo/hardcore acts to emerge over the past decade. Emo nearly became a part of the mainstream in the new millennium with the chart success of Jimmy Eat World and the critical acclaim of At the Drive-In, so a reissue of The First Crush Compilation is appropriate. It's a collection of rare tracks and hard-to-find treasures that pop kids will cling to while sifting through personal childhood moments and/or musical experiences of the acts featured on the album. Hardcore punk fever rages against the machine from the likes of Thoughts of Ionesco ("Upward, Inward & Under"), I Hate Myself ("This Isn't the Tenka-Inchi-Buddokai"), and Yellow Road Priest ("Song #7"), while Stalag Seventeen ("Lack of a Better Word") and Sore Loser ("Nodding Off") churn with emo-pop appeal. Additional standout cuts by Pop Unknown, Mineral, Beast, and Airport Architect bring together the intense allure of what made these musical underground communities so great.

allmusic.com

The First Crush Compilation is considered by many to be one of the defining collections of the then-budding genre we now refer to (and subsequently disregard) as Emo (alongside volumes one and two of Deep Elm's Emo Diaries). Most notable for rare/unreleased contributions from (future) heavyweights At the Drive-In, Mineral and Jimmy Eat World, as well as stellar cuts from underground darlings Thoughts of Ionesco, Jazz June and I Hate Myself, the compilation basically serves as a beginner's guide to Emo. Undoubtedly, the presence of the aforementioned big hitters is what's going to make the compilation fly off the shelves, but it's important to note that a gaggle of also-rans and never-weres, like Jessica Six and Yellow Road Priest, deliver the goods in spades. Thick as Thieves neither added to nor removed material from the original compilation, so this reissue serves primarily to reacquaint listeners with the harshly melodic sounds of underground youth circa 1997. On a related tip, the disc's re-release can also be seen in an educational light, teaching all the weepy newbies out there exactly where bands like Cursive and Dashboard Confessional learned how to transform their romantic misgivings into fairly poignant lost-youth anthems.

Jason Jackowiak

Tracklist:

1. Jessica Six - Vendors Of Greater Things (2:23)
2. Emory Swank - Second Street (1:51)
3. Mineral - Sadder Star (3:05)
4. The Tie That Binds - Grade K 79-80 (4:57)
5. I Hate Myself - This Isn't The Tenka-Ichi-Buddokat (3:33)
6. Still Life - Untitled (2:18)
7. Thoughts Of Ionesco - Upward, Inward & Under (5:19)
8. Yellow Road Priest - Song 7 (1:44)
9. Jimmy Eat World - Reason 346 (4:21)
10. Eversor - Leave Me Behind (3:49)
11. Stalag Seventeen - Lack Of A Better Word (3:43)
12. Jazz June - Russians Part Two (4:12)
13. Pop Unknown - Unknown (2:19)
14. Indiana - I Was There (5:15)
15. No Reply - In Between (4:03)
16. One Car Pile Up - Nothing This Time (4:08)
17. Sore Loser - Nodding Off (3:44)
18. Driver Eleven - Five Style (2:12)
19. Airport Architect - Comparing Notes (4:45)
20. Beast - Philip Morris Crematorium (0:11)
21. At The Drive-In - Initation (3:54)
22. Will And Johnny - Bingo Time (1:53)

The Gloria Record - The Gloria Record EP (1998)


A really beautiful record that's detailed with delicate intricacies that you'll miss the first time around. But need not fear, because there is no way you can only listen to this record only once. It's equally as intriguing to the melodic song loving fan as it is to the technical musician.
The perfect soundtrack for long drive with a beautiful sunset or for just hanging around.


crank! a record company



Fell asleep on paper wings...



The Gloria Record - The Gloria Record EP (1998) 320kbps

password: thelastwordisrejoice

The Gloria Record - Grace, The Snow Is Here 7" (1998)


Sonic, hypnotic and atmospheric. A rock band in the arena-sense. The Gloria Record formed in 1997, with Chris Simpson and Jeremy Gomez, friends since high school, casually making music with Brian Hubbard and Matt Hammon, two more longtime friends.

Fostered by their admiration for bands with big visions and bombastic sounds they abandoned any expectations, aspiring simply to make music that sounded fresh to their own ears.

In 1998 The Gloria Record released their debut single ("Grace, The Snow Is Here"), followed by a self-titled EP, both on crank!.

The next year and a half saw numerous lineup changes. In August 1998, Ben Houtman joined the band on piano, organs, and synthesizers. In spite of a revolving drumseat, TGR managed to complete two US tours before settling on Brian Malone as their permanent drummer. With solid lineup now in place, The Gloria Record offer this intricate yet graceful new EP: A Lull In Traffic.

TGR continuously show a maturity in structure and musicianship. They've found their place, with a sound reminiscent of both British contemporaries (Radiohead, Travis) and American indies (Seam). Crisp guitars blend with dynamic drumbeats, as Chris' impassioned voice glides along.

Grace, The Snow Is Here 7" recorded in the TGR practice room in Austin, TX, June, 1998. Includes the exclusive track "And Is It Ever".

 crank! a record company

And is it ever beautiful...


password: thelastwordisrejoice

Tuesday, January 17, 2012

Various Artist – Ground Rule Double (1995)


Ground Rule Double, a digipak landmark of major league proportions to Chicago and the greater Midwest. A document of historical value, sweeping brilliantly through 25 emo/math/indie/instrumental/punk tracks. Leaning on select tracks by Braid, Shellac, and Mineral, yet held together by the likes of C-Clamp, Gainer, and Gila Bend. Completely skipping the dead sea of label samplers and sordid compilations, Ground Rule Double buoys in a pleasant mixture of inventiveness and consistency. A panoramic snapshot of fresh sound which helped sprout some of the most respected musicians of today.

Justin Grimm

Tracklist:

1. Braid - Grand Theft Autumn (2:59)
2. Dianogah - What Is Your Landmass? (2:30)
3. Gainer - Bike Rides At Mignight (3:15)
4. Poonjab - If You Squeeze Your Fingers (4:03)
5. The Hitmen - Thrash (1:46)
6. Gila Bend - Gainer (3:35)
7. Bollweevils - Delfosse (1:55)
8. Scout - The Lemming Constant (5:01)
9. Friction - Hybrid Moments (1:18)
10. Lustre King - Thighs Are Vices (2:02)
11. The Blue Meanies - Ace Of Spades (2:40)
12. Cinco De Gatos - Ireland (3:47)
13. The Trigger Quintet - Slept For Seven Days (3:02)
14. Hubcap - Moss Worth Embossing (2:47)
15. Shellac - The Copper Song (1:55)
16. The Promise Ring - 12 Sweaters Red (4:46)
17. The Fighters - The Evil Man And The Nice Boy (1:28)
18. Orwell - Bandsaw Architecture (1:21)
19. 88 Fingers Louie - I Don't Want To Hear It (1:13)
20. Big'n - Cuss (2:29)
21. C-Clamp - Cah (4:44)
22. Mineral - 5, 8, & 10 (5:12)
23. Jerkwater - Instrumental (4:43)
24. Back Of Dave - Glory Of... (2:00)
25. Apocalypse Hoboken - Capitals Bark At The Moon (2:32)


Sunday, January 15, 2012

Various Artist – (Don't Forget To) Breathe (1997)


A who's who of mid-90's emo explosion before the tag became synonymous with teenage love erosion, sappy barefaced bawling, and laughable mimicking of ones' favorite wounded front man. In a compelling rarity, (Don't Forget To) Breathe demonstrates the technical competence that made the genre so powerful, not only musically but emotionally, incorporating the punk rock formalities laced with explosive post-hardcore surges and sometimes sing-a-long melodies as the musicians attached themselves to a more expressive and poignant musical framework than what grunge had offered a few years earlier.

Many of the bands featured were pioneers in their field but most have faded into obscurity or have gone on to other projects, but are mostly indigenous to any unique musical explorations (exception: Hot Snakes) such as: Boy's Life, Christie Front Drive, Drive Like Jehu, and Mineral. Other groups were on the verge of indie rock notoriety (Silver Scooter, Vitreous Humor, Ethel Meserve, Uncrush) and served up delectable unreleased jewels that made you want to search long and hard for full-lengths and seven inch singles but more often than none, these inquiries came up empty or at least insufficient to serve any long term interest.

Released in 1997, (Don't Forget To) Breathe is a testament to sincere and honest music free from hypocrisy and diluted exploitations from major label persuasions or style over substance tendencies. Crank! has left us with a legacy of some of the finest indie rock acts to emerge from what is mostly connected to the West/Midwest sound that is still as stimulating to listen to today as it was when I purchased it almost a decade ago.



Mark Taylor



Tracklist:

1. Fireside - Headacher (3:29)
2. Silver Scooter - Pumpkin Eyes (3:53)
3. The Promise Ring - Pink Chimneys (2:24)
4. Grander - 88 Cubic Meters (5:10)
5. Christie Front Drive - Field (3:15)
6. Hot Water Music - Elektra (3:26)
7. Vitreous Humor - The Whisper Twins (5:12)
8. Prozac Memory - Mapmaker (3:57)
9. Knapsack - Less Than (4:46)
10. Roadside Monument - A Spanish Trail (5:04)
11. Mineral - Rubber Legs (5:54)
12. Seven Storey Mountain - No Promise (3:42)
13. Drive Like Jehu - Bullet Train To Vegas (live) (2:34)
14. Uni-V - Murder Is For Everyone (4:32)
15. Boys Life - Sight Unseen (live) (4:19)
16. Ethel Meserve - Calba's Last (5:20)
17. Uncrush - Nap (4:08)
18. [unknown] - [unknown] (2:54)


Monday, January 09, 2012

American Football - American Football (1999)


Only one full-length album was conceived before the band's premature breakup, but it remains a genuinely brilliant record that has touched almost all of its listeners. American Football managed to capture the feeling of drifting through time as the seasons change over and conveyed it through nine marvelous pieces of music.

"American Football" begins with "Never Meant", regarded by many (and myself) to be the band's signature song. The dazzling opening riff is a perfect introduction to the band's style of irregular time signatures and "twinkling" guitar sounds. Kinsella's vocals are confessional and heartfelt, and they sit low in the mix as to put more of an emphasis on the music itself. The percussion is complex and varied enough to keep the listener intrigued throughout the song's progression, with intricate hi-hat and tambourine pieces highlighting the performance. After the fadeout, "The Summer Ends" lumbers slowly into the wake. It's the first song to use trumpets, which is a unique and captivating dimension that American Football incorporates into multiple songs on the album. Lyrics like "Well, maybe I've been wrong. Maybe my intentions are irrelevant. But honestly, it's just not for me," transmit the character's regrettable feelings, while warm and melodic atmospheres surround the vocal lines. "Honestly?" is one of the best and longest tracks on the album, and it does a fantastic job of changing the pace from tired and dragging to upbeat and technical. Eventually, the song turns in a different direction almost without warning, and the vocals give way to a full-on four minute jam session by the musicians. The mood is consuming, with dramatic guitar leads and steady drum fills leading into another fadeout.

"For Sure" opens with a bit of a playful riff, and gorgeous horns accent the music wonderfully. For one of the shorter songs on the album, it's quite memorable and manages to project the feeling of being carefree. The vocals are drawn out and minimal, but add an extra bit of emotion to the song's already powerful message. Next, "You Know I Should Be Leaving Soon" displays the math rock influence with an attention-grabbing tapping riff, progressing into a mixture of melodious guitar lines and symbol-heavy drumming. The song contains no vocals, but another bit of experimentation is thrown in with the tasteful use of maracas to add some original flavor. "But The Regrets Are Killing Me" is perhaps the saddest song on the album, with lyrics such as "It's a long goodbye with mixed emotions. Just fragments of another life," and "Fools leave too soon. Built to fill roles and fall," stealing the spotlight. The "twinkling" aspect is at its best here, and waves of harmonious riffs and leads dominate the medium. "I'll See You When We're Both Not So Emotional" goes at a steady pace, with the ongoing theme of a crumbling relationship once again thrust into the limelight. Many of the guitar lines are elaborately designed and woven together like an old quilt, passed down through generations.

 "Stay Home" is the longest track on the album, clocking in at just over eight minutes. The slow buildup of tension is tremendous, and the listener is almost able to picture the song's climax at the halfway point before slowly starting to wind back down. While the vocals don't appear until the climax, the lyrics are heartfelt and powerful ("Don't leave home again if empathy takes energy, because everyone feels just like you."), and it makes for a great summary of the album's overall tone and message. Finally "The One With The Wurlitzer" feels almost like the aftermath of the album, as it fades back in with a similar riff to the concluding piece of its preceding song. It's short and without vocals, but the sorrowful trumpet solo fills the void perfectly and brings the ever-beautiful 40 minute record to a bittersweet close.

This outreaching and emotionally-charged look at indie math rock (which is sometimes dubbed "post-emo") is heartfelt, dulcet, catchy and mournful all in one. Not many albums can deliver a contrasting whirlwind of emotions effortlessly, but American Football managed to successfully create something pioneering and prototypal before their unfortunate demise. Like too many other short-lived bands, they rode off into the sunset without first displaying their full potential as a group. And while their devoted cult of fans still hold out hope for a reunion, there hasn't been any substantial rumours to suggest that the three will ever make music together again. Still, this remains to this day a very influential group of songs that test the limits of the emotional spectrum and stay personally close to those who have grown to love them.

sputnik music


password: thelastwordisrejoice

American Football - American Football EP (1998)



American Football consists of vocalist/bassist/guitarist Mike Kinsella, guitarist Steve Holmes, and drummer/trumpet player Steve Lamos. Kinsella's emo/post-rock pedigree includes stints with bands like Cap'n Jazz and Joan of Arc; American Football shares a similar esthetic, blending jazzy tempos, pop hooks, and earnest vocals into their sound. The group released their self-titled debut EP in 1998 and their eponymous full-length in 1999.

To fill in the gaps and have everything listed here, American Football's self-titled EP is needed to complete the circle. Three songs of Midwest emo, cunningly made with graceful twinkling and intimate singing. I recall a reviewer on a different site describing American Football’s music as a "walk down the block, kicking pebbles and tugging up with a warm jacket." This music does have a certain feeling of the fall, or maybe springtime, and it’s a very nice alternative to the angst-ridden style of '90s emo.

The sound that comes out of American Football’s amps is just about as good a clean guitar tone as there is in the world. The actual playing is technical, but in a very subtle way; everything flows like a liquid, heavy with reverb. Singer Mike Kinsella’s voice and lyrics are very much the same way: subtly brilliant. At first, his voice almost seems more like an instrument, the lyrics are almost an afterthought, as they are far from hooky and delivered in such a fashion that one really has to pay attention to piece full lines together. During a section of Letters and Packages sparsely populated by anything other than soft drums, he sings As a result of my history I'm afraid I'll let you down. If only we were older in a tone that almost sends chills to one’s spine.

But besides how wonderful the music is, there happens to be a certain introspect in the lyrics, thus, the angst-ridden statement above is whatever you take from it. Words written about desperation, insecurities, failure, one’s own thoughts, and aspirations are highly relatable, never ceasing to become images of self-delusion. We can relate to this.

Mike Kinsella and Steve Lamos carried on from their previous band, the One Up Downstairs, which can be called the precursor to American Football. After recruiting Steve Holmes, the band quickly made this EP, followed by their heavily praised self-titled LP. When separated, these three tracks stand alone and are just fine like that, but when they are collected with the LP, and given a good jam, the overall senses are blown, making what I consider to be a perfect album. American Football are the go-to band for anyone making '90s emo-revival music, and with artists like the very missed Colossal, newish groups Algernon Cadwallader, Monument, and the short-lived Midwest Pen Pals, you definitely should know that this music is very special, sprouting forth many children. Crazy to think that the band themselves probably didn't consider this back then in 1998.

The three tracks are "The One with the Tambourine", "Letters and Packages" and "Five Silent Miles". Each song has its own grace and security, pulling in the listener and giving one a possible type of calming quality that should be considered now and then. On the opening song, the melodies ride along and ring as if drops of water were falling into a puddle. Mike’s singing is a bit more delicate, often showing his voice hit its limits and begin to crack, but that’s what I love so much about it. Towards the end, the track slides off into a very nice riff, carried along in a distorted way that I wished they tried more often. On the next track there is a more mellowish vibe, sort of bringing the listener down to a lower level and having a conversation, but of a longing sort.

"Maybe everything is tragic and temporary.
Remember Esmé, age 13?
Already blasé and broken hearted, so elegant, so considerate.
If only she were older.
As a result of my history I’m afraid I’ll let you down.
If only we were older."


 The last track is a wonderful conclusion, gliding along and setting the pace as if it were the final credits to one’s own story. A full-on instrumental, "Five Silent Miles" is a nice bridge into their self-titled LP, or maybe the bookend to whatever order you want to list their music. With American Football you can kind of zone out, after a while everything blends together in a really relaxing way, and still find yourself enjoying the music. But, when you string together Kinsella’s words, and hear the full sentences, you find out exactly how brilliant and poignant American Football really is. This EP is short, three tracks in less than 12 minutes, but is well worth it if you find yourself enjoying their LP. The songs aren’t the same, but they could easily all fit together on one disc. And what a disc that would be.


punknews.org, sputnik music


password: thelastwordisrejoice