Monday, July 01, 2013

Braid ‎– Frankie Welfare Boy Age 5 (1995)

Released in 1995, and reissued here for its 15th anniversary in 2010, Frankie Welfare Boy Age Five is the first full-length from Braid. Influenced by bands like Cap'n Jazz, Jawbox, and Car Vs. Driver, but adding their own aggression to the music, the album shows the lines that can be drawn between the early days of emo and hardcore. Moody songs jerk back and forth from jangly melody to raw-throated angst, laying down the blueprint for what would become modern emo-core. As a debut, the album shows Braid at their most raw and unrefined, giving the emotion conveyed on the album a sincerity that's difficult to manufacture. The downside is that the album also shows the band at their most unfocused, meandering through 26 tracks (one for each letter of the alphabet) separated by radio static mixed with snippets of some of their musical contemporaries. While this is an album that is certainly essential for Braid fans, it may be too scattered to draw in the uninitiated. However, as a relic from the early days of a genre, it’s a listening experience that’s difficult to pass up for anyone looking to delve into the early days of midwestern emo.
Gregory Heaney 

After releasing the Rainsnowmatch 7" in 1994, Braid's debut full-length, Frankie Welfare Boy Age Five, came out in June 1995 on Divot Records. With 26 blistering tracks in just under 60 minutes, the members of Braid -- Bob Nanna, Todd Bell, Chris Broach and Roy Ewing - simultaneously encapsulated and redefined the Midwest scene from which they came.
Frankie Welfare Boy Age Five is a meticulously crafted record that never once feels anything other than raw and organic. Starting with the song titles (each begins with a different letter of the alphabet), it soon becomes clear that no aspect of the album is superfluous.
Even the between-track interim is filled with precision. Nanna and Bell spent six hours adding static and snippets of music from their old bands and friends' bands (including Cap'n Jazz, Friction, The Sky Corvair and Mary Me) to give listeners the feeling of tuning a radio dial while listening to the record.
This attention to detail is especially evident in the music. Never uniform and always challenging, the songs on FWBA5 continually change tone, volume, and structure within time spans that sometimes swell to more than three minutes, but are most often contained to one or two. Featuring a more aggressive, hardcore-influenced sound than later Braid releases, these tracks manage to be both abrasive and melodic, brief yet lasting.
With Frankie Welfare Boy Age Five, Braid introduced itself to a national audience - one which it would continue to build over years of extensive touring and the release of two more full-lengths, nine 7"s and numerous compilation appearances.

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